John Boyd’s first three novels
are all derived from classic myths of one sort or another, a fact he mentions in
the preface of the Penguin edition. I don’t have any interest in classic myths,
so when I read Boyd’s novels, I’m taking them as face sci-fi value. Though I
hadn’t quite enjoyed the first two books, I had been looking forward to The
Rakehells of Heaven simply because of the words Boyd pens about the novel
in the preface: “It [Rakehells] was a whoreson of science fiction, but
there was great sport in making it” (vii) and “The ideal reader … should have
the mentality of a Southern stock-car racer, be a Baptist with a sense of
detachment, have a well-developed sense of the absurd, and be fascinated with
the quirks and accomplishments of the human animal” (viii). I thought he was
alluding to a libidinous novel yet one which is straight forward; a novel which
continues the sexual overtones from Pollinators with the rigid plot of Starship.
This was not the case.
The first novel, The Last Starship from Earth (1968), had very little room for interpretation—its
plot allegory/figurativeness was concrete. The second novel, The Pollinators of Eden (1969), had more room to play with the plot’s suggestions—its plot
allegory/figurativeness was concrete/abstract. Here in Boyd’s third novel the
plot’s allegory/ figurativeness is definitely on the abstract side. It could
have been read matter-of-factly, but degrees of interpretation built up far too
quickly. Ask five different people about their interpretation of this novel and
you’ll most likely get five different answers.
Rear cover synopsis:
“John Adams and Kevin O’Hara
are graduates of North Dakota’s great Mandan Space Academy. Both trained to be
conquistadors of space, explorers in the age of interstellar imperialism, Adams
and O’Hara are as different as any two space scouts could possibly be. Now,
together, they are sent to explore a distant world called Harlech. The Harlechians
are unclassified aliens; relations with their women are strictly forbidden by
the Interplanetary Colonial Authority. Adams is willing to play by the rules—but
whoever made those rules hadn’t counted on the lusty Red O’Hara, rakehell of
heaven … From the Adams-O’Hara probe, only John Adams returns.”
------------
Light-years from Earth on a
mission to find an inhabitable planet, Adams and O’Hara discover Harlech, plush
with greenery and devoid of any signs of civilization. However, one structure
on the planet’s surface draws their attention and they set down. The duo set up
their “welcome to civilization” booth with displays of Earth-ly life and blare
music from their sound system. The aliens which emerge from the woods play
their game of football while being oblivious to the presence of the humans.
Though bipedal and human in form, the rigorous set of “humanid” qualifications
have yet to ascertain whether these aliens are mere animals or human-equivalent.
Being the commander of the
scout ship and a stickler for regulations, Adams is hesitant to allow O’Hara
out of his sight yet allows him to approach the wooden copse from which some of
the aliens had come. After a time, one of the voluptuous alien females prances
from the copse with O’Hara’s own green polka-dotted boxers around her once
unclothed hips (“Concupiscence and carnality!” [36]). Adams is at a loss for
words—though O’Hara had married just prior to the departure, he has a long
history of womanizing—yet Adams must maintain either their relationship or the
regulations.
An alien contact team makes
contact with them, courtesy of Budo the Dean of University 36. All the “cities”
on the planet are subterranean universities where everyone is dedicated to one
faculty or another and each university is headed by a Dean, a secretive,
god-like personage who’s seldom seem and whose personal words are often feared.
As the university is open to all and where “total academic freedom exists” (43),
Adams and O’Hara are quickly made honorary teachers. Adams decided to teach (a)
Human Customs, (b) Ethics and Values, and (c) Earth Religions 1 and 2; Red
would teach (a) Love, Courtship, and Marriage, (b) Elementary Human Emotions,
and (c) Earth Rituals, Folklore, and Superstitions.
On Herlech, the “entire
vocabulary, technical and otherwise, consisted of less than 40,000 words” so
Adams and O’Hars are able to pick up the
language through narcosis learning in only four days time. O’Hara, however,
doesn’t wait for fluency before bedding every swivel-hipped dame and chugging
down boilermakers made from the local hooch. Adams must suppress his bookish
advice in the face of O’Hara’s hedonism/bestiality; though the aliens are erect
bipeds, they haven’t passed the “7-10 gestation period” or “planetary defense
capability” tests yet.
Adams isn’t only a by-the-book
commander, but he’s also a “fledgling evangelist” (24) and O’Hara’s debauchery is
beyond his skill with words of morality. Little did Adam know when the mission
began that his sexually-supercharged sidekick would “become, in the fullness of
time, the god of a far galaxy” (24). Regardless of his campus-wide exploits of
the flesh, O’Hara maintains his teaching schedule, introduces the natives to
theater, and starts the trend of clothing one’s loins in public.
Adams becomes enthralled by the
beauty of one of his students, but because the taboo of eye-contact limits his
vision of her beauty, there are other bodily locations to stare at while
instructing:
Cara floated within my ken in grace and
beauty, plus a quality at first indefinable. Cara, I think, more than any
other, inspired me to introduce the English word “beauty” into the Harlechian …
She was my golden girl, the teacher’s pet, and I never looked on her face from
fear of disillusionment. Her mound of Venus swelled as a perfect ovate spheroid
tasseled with cornsilk curls. A faint ellipsis to the outer labia gave the
whole that strangeness of proportion without which there is no true beauty, and
the curve gave it an air of joy blended with a feeling of peace which seemed to
exude happiness and serenity. But still its aura defied definition until, one
morning, inspiration provided me with the word which encompassed the whole—Cara’s
had character. (60)
O’Hara continues
his coital gallivanting while Adams, the moral evangelist, succumbs to the pulchritudinous
Cara in a moment of weakness, a moment of passion. After their physical union,
the two seek marriage on a planet with no religious leaders—so Adams, as
commander, appoints O’Hara to wed them—and the newlyweds await for their child
to be born. However, with Earth customs now established in the university and
in Cara, the archetypical moody woman is portrayed in Cara’s character. Adams
is not impressed.
O’Hara’s mind may
be between his legs, but he’s able to summon some creative energy for the
theater rather than the Karma Sutra. The Shakespearean televised play he
directed was a smash success, but Bubo the Dean failed to see the fictional
side of the play’s murderous ending and expels one student; this is the duo’s
first run-in with the Dean, and not the last. As O’Hara develops his Passion
Play for Easter, the Harlechians adopt Earth law and, with it, Earth law
enforcement. Though fledgling in both areas, Harlech experiences its first
murder in thousands of years and the law is awkward to find purchase. Adams
must manipulate the law, the perpetrator, and the Dean in order to construct a
fair outcome for all.
------------
In my
introduction, I mention the concrete and abstract qualities of each book’s
plot. The same could be said for each book’s entertainment value: Starship
was sullen, downcast; Pollinators was quirky, inquisitive; while Rakehells
is spry, relentless. So Rakehells isn’t only a satisfying book in
regards to its behind-the-scenes abstract interpretations, but also because, at
face value, the book is fun. While Adams is neat and proper yet fallible in the
end, O’Hara is manipulative and randy… sometimes combining the two. As diametrical
as the two are, they were chosen to be together on this mission because their
faults are supported by each other’s strengths.
Their
relationship isn’t quiet dynamic as it is fun to watch develop. Even Cara,
whose wondrous bosom and loins tempt not only Adams, has a fallacy which is
entertaining when taken in context; surely, reading the snippy quotes of
jealousy and exaggeration are irritating, but consider that Cara has never seen
another human female, so her emotions emerge purely from her contact with the
Earthly classes she has taken with Adams and O’Hara. None of the three (Adams,
O’Hara or Cara) ooze a rich history to account for their actions, but it’s
still satisfying to watch the three grapple with their imperfections.
Boyd’s prose
doesn’t drift into the perverse, but keeps at bay with loquacious passages of Cara’s
more salaciously gratifying, libidinously seductive body parts:
Striding beside the girl, I could not help
but comment to myself on her beauty of form and carriage. She flowed in grace
and all about her seemed a sweep and a glide, save for two high and widely separated
breasts, like the forequarters of kittens coiled to spring in play, which jiggled
against the fabric of her gown. So palpitant and palpable they were, I jerked
my peripheral gaze from the sight and silently muttered a prayer. (77)
I am 2theD, and I
approve of this description. Boyd is equally as playful with his prose in
numerous passages, yet sometimes slips into banality mode when Adams describes
his curriculum or mathematics with a slide-rule and when O’Hara outlines his
grand plan for his plays. The two more baneful devices used by Boyd in his book
are (a) the similarity of the aliens to humans and (b) the age old crutch of
time travel. The reason for the alien/human similarity is mentioned in the
book, but merely in passing and reads more like an afterthought without repercussions
(aside from the humanid-qualifying gestation period). The time travel crutch is
also a spanner thrown into the works; Boyd attempts to justify it with
mathematics but succeeds only in twisting the plot in the last three pages. The
result is mildly humorous, but feels too warped out of shape for a decent
ending.
------------
I’m not sure it’s
necessary to read Starship or Pollinators before diving into Rakehells,
but reading all the parts of the trilogy brings a sort of referential context to compare them to each other. I
mentioned Rakehells had a slew of interpretations to analyze, but I’m
unwilling to taint your opinion if you haven’t read the book. If you HAVE read
the book, I’d love to hear about how others perceived the evangelical adventure
of Adams and the coital conquest of O’Hara. Having read and enjoyed Rakehells,
I won’t abandon hope for his other novels. Read on fiction soldier.
You're BACK!
ReplyDeleteStarship really put me off Boyd. I found it clunky at best.... This sounds intriguing.
I'm BACK! February and March... Jesus, all I did was analyze and type for 8 hours per day. It has turned out to be quite the slick little number though (if you consider 193 pages to be little). I hope to pick up the pace a bit this month--I got five days on an electricity-free beach coming on the 13th. Glorious!
ReplyDelete