#1: Metro 2033 (2007/2009) – Dmitry
Glukhovsky (3/5)
While browsing the
shelves at the bookstore, I was surprised to see a translated Russian science
fiction novel from the last decade. Having been interested in reading more of
translated Russian science fiction, I bought the novel and started to read it a
few months later. Only two people asked what I was reading: “Is that the same
book as the game?” Only then did I do a search online and see that the entire
book had previously been serialized (which would explain its blocky feel) in
Russian online, had a cult following, and became a game. It has a good
sci-fi/horror/post-apocalyptic plot to it, ideal for a game. It has been a
decade or two since the war that made life on the surface impossible. The few
thousand who have survived live in the Moscow Metro (elsewhere, there must be
survivors in similar situation) yet there’s also a form of life above: flying
monsters, black figures, and mutants. Young Artyom has only known life in the
station of VDNHk, but events lead him to be assigned to an important task:
navigate the sometimes deadly tunnels and stations in order to deliver a
message. Through his navigation, he experiences the many facets of life
underground, the many facets of subjective truth, and secrets about the Metro,
its people, and himself. (full review)
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#2: Pillars of Salt (1979) – Barbara
Paul (4/5)
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Barbara Paul is an
author of five SF novels and about a dozen SF short pieces. With an academic
history in English and theatre history, one would expect some of these themes
to run through her early works. Certainly, history plays the commanding role in
Pillars of Salt because it’s a time-travel novel, with glimpses of life
from a wide range of historical figures: e.g. Van Gogh, Ivan the Terrible,
Thakombau, Queen Elizabeth. Most of historical settings are fun settings, but
the 5-page setting in the North African arena during WWII is indulgent and a
waste of time and paper. Everyday people in the year 2059 are able to travel
into the minds of people from history, even young students who learn directly
about fragments of history. The professionals, however, spend a lot of their
time investigating wide swaths of history and eventually settle onto one
person; for. Angie, that person is Queen Elizabeth. She experiences much of her
life, but one day chooses to visit her sickness from smallpox, when she
unexpectedly witnesses her death… and Angie’s own animation of her body. If the
Queen had died, how did she reign for forty more years? The academic circle
investigates the phenomenon, which indicates that it actually affects the
present and speculates what the future has in store.
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#3: The Dreaming Earth (1963) – John
Brunner (3/5)
I’ve read more Brunner
than I can count… just kidding, this is the thirtieth piece of Brunner’s work
that I’ve read, including novels, collections, and his hodgepodge The Book
of John Brunner (1976). I’ve said in previous Brunner reviews that each of
his books is different, that there were many facets to his artistry. Now having
read thirty of his books, some ubiquitous themes are becoming a poor, most of
them found in The Dreaming Earth: over population, drug use of the
disenchanted, hypnotism, whodunit disappearances, and videophones. This novel
doesn’t have espionage—another common Brunner inclusion—but it does include a
conspiratorial global organization. The drug here—happy dreams—shows up in many
places around the globe and some of its users are disappearing. The narcotic
agency of the UN think that they’ve just up and gone, but some hare-brained
thinkers hypothesize that they’ve transcended. Greville becomes victim to the
mildly hallucinating drug due to his scheming wife, but he soon recovers and
pushes himself to uncover the drug’s mysteries: How is it distributed? Where do
the addicts disappear to? Where does the drug even come from? Just when he’s in
the thick of it does the reader realize that so much of it is predictable and
the punch near the end is weak.
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#4: The Raw Shark Texts (2007) – Steven
Hall (4/5)
If you’ve read any
Murakami, you will be able to tell that this book is heavily influenced from
his writing. Instead of a sultry affair with a buxom woman, there’s an awkward
affair with a skinny blonde; and instead of fine whiskey, there is a shark…
something like that. Three similarities stand: mysterious underground passages,
a cat as sidekick, and magical realism. Eric Sanderson awakens to the world
with no memory, yet his former self leaves a note telling him what to do. His
psychologist offers no real help, so Eric turns to a dangerous form of
information: almost daily notes delivered by his former self which allude to an
unfathomable menace. When he has his first brush of danger from the menace,
Eric reads all the letters and goes down the metaphorical rabbit of searching
for his past—what happened to his former self—and his future self—keeping his
memory in tact. This leads him to a distant farmland, a crumbling concrete
passage, and a crawlspace lined with texts. It’s a bizarre affair from start to
finish, but worthwhile to read about someone without hope or history to find
salvation in the unknown.
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#5: Of Men and Monsters (1968) – William
Tenn (4/5)
I love part of the
summary on the back of the novel: “a clear-eyed tribute to the audacity,
shrewdness, stupidity, courage and ultimate ineradicability of the human pest”.
Any novel that paints an unfavorable picture of humanity as stupid, I tend to
love. In addition to Joachim’s own
review, this novel—my first of
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#6: Doomsday Wing (1963) – George H.
Smith (1/5)
It’s always a
teacher’s advice to keep reading to improve your reading skills; likewise, keep
writing to improve your writing skills. Unfortunately, I guess writing erotica
doesn’t hone one’s skills; case in point: George H. Smith (not to be confused
with George O. Smith of Venus Equilateral fame). Colonel Chris Tolliver
is part of Wing D, an innocuous missile base with some curious participants.
When Chris learns that that the “D” stands for “Doomsday”, he gets a case of
the nerves. These nerves wreck havoc on his failing marriage to a wife he
admits he married for her face; even before, there was that time in Japan with
that 21-year-old. Anyway, his colleagues all have dead ex-wives and second
wives, so it sounds pretty easy for him to move on with his life if his old cow
kicks the bucket. When the US gets attacked by a lone Soviet missile
base—commanded by the eccentric General Nikolai Ilich Aristov—the US retaliates
with limited strikes. On both sides, the deaths are appalling as bases are laid
to waste and bombers are shot from the sky. But in 124 pages, the fulcrum
between pre-war and post-war is too hasty and cobbled-together, which only
becomes hastier toward the conclusion when it’s just bad, plain bad. This book
has about as much give-a-fuck as an erotic dime novel: Sorority Sluts
(1962), The Virtuous Harlots (1963), Country Club Lesbian (1963),
or Orgy Buyer (1965).
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#7: Lords of the Psychon (1963) –
Daniel F. Galouye (2/5)
I have had three
Galouye novels (out of his total of five) and I’m saving his most renowned for
last: Simulacron-3 (1964). I read The Infinite Man (1973) last
year and was unimpressed enough to give it a three out of five. If taking into
account Lords of Psychon, I would thus far say that he’s a middling
author. However, I am intrigued by his wealth of short stories, which
number about seventy. Back to Lords of Psychon… enigmatic man-sized
sphere appeared on earth in 1977, destroying all electrical items and sending
mankind into seizures for weeks. Now in the 1990s, bands of people are
scattered about the land. One last outpost of former American military wheels a
nuke into the neighboring opalescent tower where uncommunicative spheres come
and go, the blast is a mere pop and the tower stands still. When Captain Maddox
discovers a woman who keeps a young sphere in a barn, the two contemplate its
usefulness as an experiment, which helps them tap into its mysteries. The
spheres occasionally hunt people down and hurl bolts at them, but now Maddox
has discovered that some of these powers can be harnessed by people, too. But
throughout the novel, boredom grips the reader in such spasms that only a few
pages can be read in one sitting.
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#8: The Human Angle (1956) – William
Tenn (4/5)
Just this month, I read my first William Tenn
novel: Of Men and Monsters (1968). Though this latter book is more than
ten years later than his short work in this reviewed collection, it still shows
his knack for creativity, zaniness, and depth, three words of which would also
describe Fritz Leiber and Robert Sheckley. Of the eight stories, two seemed
familiar, but it took me a while to realize that I had them before: I had read
“Project Hush” before in Asimov’s 50 Short Science Fiction Tales (1963)
and “Party of the Two Parts” in Santesson’s Gentle Invaders (1969). The
latter of which is bizarrely unique story of alien oddities and galactic law.
This one steals the show out of the entire collection. In close second is “The
Servant Problem”. This story isn’t one of blunt humor, but a cultural
introspection of the familiar theme of “absolute power corrupts
absolutely”—it’s poignant yet absurd. (full synopses)
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#9: Synthajoy (1968) – D.G. Compton
(5/5)
After reading Farewell,
Earth's Bliss (1966) and The Steel Crocodile (1970), I knew Compton
was an author whom I would have to pay attention to; both books were solid and
enticing in on way or another. Synthajoy falls between them both and
smothers them both with its percolating personal history, layers of psychology
(always fascinating to me), and teetering success of a new technology. Thea
Cadence neé Springfield fell deeply in love with the doctor she was working
with—a brilliant psychologist named Edward Cadence. She was so in love with
him, in fact, that she was blind his to faults, perhaps because of his radiant
passion for developing Sensitape. He was able to record emotions and
experiences onto tape and later feed it back into another person’s mind. The
creation of a Sexitape—legally taken between Mr. and Mrs. X—caused nearly
instant fame, but the clinical and recreational use of the tape—its true
indication of success—had yet to break through. Now, Thea is alive and in the
same institution she helped build with her late husband, who has died in an
unmentioned incident, which is also why Thea is receiving treatment with
Sensitape. Her story evolves slowly through a clouded mind on sedatives, yet
even her own story takes a few u-turns, testimony which is verified with
stenographic conversations. This one is deep and tumultuous, a real delight for
the observant and analytical mind.
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#10: Unearthly Neighbors (1960) –
Chad Oliver (1/5)
I remember enjoying
Chad Oliver’s story “Transfusion” (1959) in Groff Conklin’s Worlds of When
(1962). It was something a little different, a little fun, so I decided to pick
up anything else by the same author—the result: Unearthly Neighbors. I
had been excited for a while at the thought of picking it up. The first few pages and chapters were OK: a
mission to Sirius Nine as discovered a humanoid species and since Monte Stewart
is one of the leading anthropologists, the UN decides to send him and let him
pick his team, who all seem to take their wives on the three-year mission to an
uncharted planet. Once on the planet and meeting the locals, somehow the book
becomes dull. One man lives in an unnaturally hollowed out tree and commands a
wolf-like animal, leading the reader to a basic assumption, the same assumption
is takes the characters another hundred pages to figure out. As an official
mission to an alien people, they seriously botch up first contact. In addition,
their guesswork on their language abruptly turns to fluency, the humans being
able to use alien verb tenses (heavily using formal present perfect);
allegories that seem to bridge cultures; subject, object, and even reflexive
pronouns; first conditional clauses; and difficult vocabulary such as tide and
current, and trial and verdict. Unearthly Neighbors gets a point for
grim unforeseen violence in the middle and some philosophical conjecturing
toward the end, but it tapers poorly and the result of the novel is a flaccid
and forgettable.
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