#19: More Soviet Science Fiction
(1962) – uncredited editors (2/5)
The
first set of stories from Soviet Science Fiction (1961) was chosen,
according to the introduction written by Isaac Asimov, for their “relative
inoffensiveness” to the American reader. Asimov further said that the stories
were of the technological ones, stories that had a focus on the gadgets rather
the people; in contrast, I found some regard for the ethos of the Russian
people and their everyday struggle with State-suppressed creativity
(“Spontaneous Reaction”) and State-applauded sacrifice (“Infra Draconis”), for
example. In the introduction to More Soviet Science Fiction, Asimov puts forth
that the stories all are spirited by the government-approved mantra, “If this
goes on, we will achieve an ideal society” (11). Again, I disagree with Asimov
on this point. He seems to be grasping at straws here, trying to give the
reader what they want to hear: Communist stories for Communists. I think only
one of the stories barely touches upon this purported Utopian theme—“The Heart
of the Serpent”. Where Soviet Science Fiction is a good collection
worthy of a place on my shelves with stories that I’d like to return to one
day, More Soviet Science Fiction is a historical curiosity that quickly
loses its novelty amid its lackluster stories. This latter collection is
unfortunate as I’m sure there are further excellent stories in other
collections—some of which I own—that could better reflect the quality of Soviet
science fiction. And therein sits this year’s goal. [full review]
#20: An Evil Cradling (1992) – Brian
Keenan (4/5)
I read this autobiography twelve years ago when I was 23. It was one of
my first such imprisonment stories that have always stuck with me. This may be
because I’m someone who values my personal quiet time, who prefers to be alone
rather than in the midst of excitement… but I’m also someone who grew up
playing alone with Legos, ramming together Matchbox cars, and devising wars for
my tiny action heroes. I suppose if you were to take away the Legos, car, and
figures… that’s be my personal hell to be left to my imagination and threadbare
sanity, much like Keenan was exposed to for part of his imprisonment in
Damascus. While Keenan kept his marbles together for the most part, there are
brilliant glimpses—amid the poetry, which I’ve never cared for—that offer
insight into his own mind, of his companions’ minds as they struggle with
physical captivity, and of his captors’ minds as they struggle with mental
captivity.
#21: The Best of John Jakes (1977) –
John Jakes (3/5)
John Jakes piqued my
interest after I picked up and read Secrets of Stardeep (1969) and On
Wheels (1973) on a whim, yet was unimpressed with both. John Jakes was a
“bestselling author of historical novels with the Kent Family Chronicles of the
Civil War era, not speculative fiction. And much like the civil war, this
collection is spiced with chauvinism of gender and race. As a bestselling
author, one would expect the stories that could plumb the depths of human existence
or touch the hearts of many; rather, it’s completely white-male dominated. Even
the titles are evidence of the amount of chauvinism—against women and Asians—in
the collection: “The Highest Form of Life”, One Race Show”, and “There’s No
Vinism Like Chauvinism”. This could (1) be the result of market demand as the
stories were written between 1952 and 1968 yet are distinctly not New Wave,
progressive stories of which often assume different sex and race roles. It
could also (2) be a symptom of the editors’ hand-picking of Jakes’ 72 published
SF stories: Martin Harry Greenberg (noted for over thirty years as an editor
and anthologist) and Joseph D. Olander (noted for his anthologies in the
1970s). It could also (3) be just part of the author’s repertoire as he also
has machismo novels as Brak the Barbarian (1968). [full synopses]
#22: More Things in Heaven (1973) – John
Brunner (3/5)
Chalking up my
thirty-first Brunner book here and the mediocrity continues. I guess
my early Brunner experiences has more variety than my recent experiences, or
I’ve just become more discerning; regardless, Brunner is hit-and-miss in terms
of novels and in terms of parts of his novels… much like with More Things in
Heaven. Good: a hyperspace ship that explored the Alpha Centauri system for
two years has just returns to the solar system yet is adrift near Jupiter’s
orbit. At the same time, popular science writer Drummond sees his brother’s
likeness in Quito while Carmen sees the likeness of her brother, too—both
impossible situations as they are still aboard the vessel that had just
returned from Alpha Centauri. Meanwhile, the masses are frightened by
horizon-spanning monsters that appear and dissolve in a matter of minutes. As
he’s in the know, Drummond uses his connections to gather information about the
possibility of all three being linked: the likenesses of the crew, the
monsters, and the return of the ship. Obvious to the reader, yes, all three are
connected and Brunner slowly stitches them together with lackluster predictability.
There’s an interesting twist in the hyperspace theory and the origins of man,
but they are punches pulled too late without much impact following the
drawn-out story.
#23: The Outcast of Heaven Belt
(1978) – Joan D. Vinge (3.5/5)
I haven’t come across
much of Joan D. Vinge, except her shortstory “View from a Height” (1978) in
Terry Carr’s anthology The Best Science Fiction of the Year #8, the
story of which I liked even though it wasn’t the best in the collection. This
novel was her first, and it feels as clunky as you’d expect from a freshman
writer with influential backing. Betha is the captain of an extrasolar starship
that has traversed space from her struggling home planet of Morningside to the
supposed prosperous neighborhood of Heaven Belt. Her and her marriage group
came through years of space so that some level of advancement could be obtained
for their home yet upon arrival, they are immediately attacked. The attackers
are merely one shard of a system-wide population shattered by a civil war, many
shards of which fervently hope for the same thing: the one miracle to save
their own sect. The selfish intentions of each are reflected in their obsessive
desire for the technological savior in their skies: Betha’s starship, Ranger.
With superior speed and planning, Betha is able to evade and deflect
hostilities with the help of some unsuspecting conspirators, but there are
still some jokers in the stack that could foil her benevolent plans. All in
all, it felt too plotted with the various factions vying for control and too
focused on three nuances: the cat, the multi-marriage, and the hydrogen.
#24: Paingod (1965) – Harlan Ellison
(3/5)
Prior to reading the Paingod
collection, I had read twenty-one pieces of Ellison’s short work—mostly in his
machismo so-called suspense collection No Doors, No Windows (1975)—only
six to which I gave 4 or 5 stars. The first three stories are strong. “Paingod”
follows a rather simple plot line with the right twists at the right times, but
delivers a message and reminder about the benefits of pain. While the previous
story was rather dour, “Repent” is more humorous as the hero of the story first
unintentionally erodes the standing system of punctuality then decides to do a
few things intentionally. “Crackpots” follows this whimsical note with the
notion that what may seem to be illogical actions of some are actually
carefully performed acts with higher logic behind them. The last four stories
cross the lower spectrum of interest. For me, the first three stories were glimmers
of hope for a solid collection of Ellison’s, but the last four stories didn’t
delivery what I wanted… something of which even I can’t define. I know what I
like and I know what I don’t like; in between is my fluctuating opinion that
covers 90% of my reading. [full synopses]
#25: The Fury Out of Time (1965) –
Lloyd Biggle, Jr. (4/5)
This is my first piece
of work by Biggle, be it a short story or a novel. He’s a
virtual unknown to me other than me owner two of his books: this novel, which
is his third, and his collection The Metallic Muse (1972), which
includes seven of his 38 prior published stories. The Fury Out of Time is
a unique novel; it starts with an 11-page setting in bar in which Karvel is a
strong yet sympathetic character. When Karvel discovers a spherical object that
destroyed the countryside in a spiral manner, he becomes the unsaid expert in
its existence. When France finds their own sphere and destruction, Karvel is
there eager to test theory: the pulped being and the sphere itself come from
the future with intentions unknown. Luckily for him, he gets the attempt to
shoot through time in order to investigate. Once there, the culture and
language barrier are a difficult barrier for him to cross, but his novelty and
importance bring him interest from on high, which, in turn, brings subversive
knowledge to Karvel. Ready for yet another trip, he shoots into the past to
pinpoint the true nature of the sphere, its original odd passenger, and the
reason for its destruction. The three-part plot—discovery, forward trip,
backward trip—is a cavalcade of intrigue upon intrigue. The last part, however,
tends to taper a bit as it builds upon pessimism and doubt, which contrasts
Karvel’s own logic. To sum it up: It’s pretty neat.
#26: Andromeda Gun (1974) – John
Boyd (4.5/5)
John Boyn wrote twelve
genre novels, of which I read the first three that compromised a thematic
trilogy: The Last Starship from Earth (1968), The Pollinators of Eden
(1968), and The Rakehells of Heaven (1969). In this
trilogy, Pollinators had a tinge of humor with its sophistication more
than its predecessor, but Rakehells really stole the show—it was clever
and funny, both in blatant and subtle ways. Andromeda Gun is a direct
and better evolved descendent of Rakehells: the plot is more deceivingly
connived, the humor is more double-tiered, and the overarching plot is better
conceived. G-7 is very sophisticated energy being on assignment to the nineteenth-century
boondocks of Earth, where he takes Johnny McCloud as his case for evolving a
species to Brotherhood with the Galactic. Where McCloud used to be a thieving
and immoral knave, G-7 hopes to turn this “organism … bipedal hydrocarbon
compound which concert electrochemical energy into mechanical force by hinged
calcium compound levers” into a saint worth of species-wide ascension into
Galactic Brotherhood. When G-7 landed in the small town of Shoshone Flats,
Wyoming, little did it know just how persuasive the hormones and chemicals of
McCloud’s composition could be. G-7 makes a good start into converting the once
heathen man into a Samaritan, but McCloud errs as he is human…but once erred,
his drive tends to influence the nebulous energy of G-7. With persistence,
perhaps G-7 can guide McCloud to good, but at the same time, perhaps McCloud
will disappoint G-7 and the entire Brotherhood. Its plot is well sculpted for
entertainment and the humor is very worthwhile… one of the most entertaining
novels I’ve read since… well, read it for yourself.
#27: The Atlantic Abomination (1960)
– John Brunner (3.5/5)
Chronologically, this
is Brunner’s eighth novel, which falls between two of his great early novels: The
World Swappers (1959) and Meeting at Infinity (1961); however, don’t
equate this with overall greatness as he has never had the golden touch having
produced some duds in the most extreme sense. This is my thirty-second Brunner
book, so I can speak with some authority. The Atlantic Abomination starts
quite dryly with pulp motives: An ancient relic is discovered under the
Atlantic Ocean with mysterious hieroglyphics and later beside a giant,
leathered carcass of unimaginable age. One diver is found to have survived
underwater for an unusual amount of time and later hijacks some apparatus then
steals away onto the sea with unknown intentions. The myth of Atlantis soon
rears its head and scientists conjecture about the leathered beast. Soon, a
cruise ship goes missing, on which another ascended ancient alien beast
converts all to be its slaves. Without remorse, it treats each human lesser
than a rodent, driving them with cranial pain until they bleed, break, and die.
The American military watches this at a distance until the same ship docks into
Jacksonville, where the monstrosity makes it home and converts thousands more
to be its mindless slaves. Missiles and chemicals have little effect other than
agitating it, so the military consider a nuclear strike with little
consideration to the human toll… and here is where the pulp turns into
allegory. In reflection, this story closely follows the rise of maniacal rise
of Imperial Japan prior to WWII and the Allies effort to deal with continuing
blows to the effort: strike the beast but spare the people, until only one
option remains: The Bomb. The initial delivery was too pulpy, however, to make
up for it.
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