#28: The Ultimate Threshold (1970) –
Mirra Ginsburg (3.5/5)
This
is the third consecutive month that I’ve read collections of science fiction
from the
#29: Chernobyl (1988) – Frederik
Pohl (3/5)
I remember that my
first essay in high school was one of organizing facts. For whatever reason, I
chose the Chernobyl accident as my topic. I don’t remember by grade or my
prose, but the independence of the essay allowed me to “surf the Internet”
(‘twas 1995, after all) for something that I was interested in. Then in
2012, I fell back into Chernobyl history while writing a short story for my
graduate program, which spawned a yet-to-completed novella. Pohl’s fictional
portrayal of the event is based on the facts of the time, but rather than focus
merely on the ins and outs of the plagued facilities and the resulting illness,
Pohl takes the limelight to the people involved, albeit fictional and forced
twists on actual people and situations. The story paints the Soviet system,
first, in negative light but through some sympathetic perspectives, the reader
begins to understand the broader situation that caused the Chernobyl event; in
addition, it also shakes a finger at the West for their coverage of the same
event. It’s an odd juxtaposition but satisfying… if it weren’t for some rather
forced segments about the Ukrainian history of the Jews and a surprising
meeting with a member of the Central Committee. I wanted to love it, given my
history with the subject—I did—but when left in Pohl’s hands, the result
is lackluster, like much of Pohl’s other work.
#30: The Impossible Man (1966) – J. G.
Ballard (4.5/5)
This is my fifth
Ballard book, a tally which includes two other collections (Terminal
Beach [1964] and Vermilion
Sands [1971]), a fictional novel (The
Drought [1965]), and a semiautobiographical novel (Empire
of the Sun [1984]). Inclusive of The Impossible Man, these five
books have been fantastic reads as their saturated with symbolism and
parallelism, the layers of which tend to leave the mind reeling. The nine stories span a time of only
four years: 1963 to 1966. During these four years, Ballard actually wrote
thirty-one stories of SF, so The Impossible Man collection is far from
definitive. I haven’t read Ballard widely enough to understand his overarching
themes, but the stories in The Impossible Man definitely have
resonance in a few areas: the beach and sand, seagulls, dilapidated structures,
Greek mythology, protagonist fallacy, and allusive or disassociative speech.
I’m not the biggest fan of mythology, so some of Ballard’s use in the stories
was above my head (on occasion, I would read up on the myths so better
understand the story, like Eurydice and Oedipus. Among the best: “Time of
Passage” (1964), “The Gioconda of the Twilight Noon” (1964), “The Drowned
Giant” (1964), and “The Reptile Enclosure” (1963). [full
synopses]
#31: C (2010) – Tom McCarthy (3.5/5)
I picked up this novel
because of a random book list I came across two years ago. The list was the top
10 most challenging or most difficult novels, and as a reader who likes a good
challenge, I picked up half of the books on the list. I think this is the first
of those books. What makes it so difficult? Well, it wasn’t all that difficult
to get through. Each of the four chapters—entitled Caul, Chute, Crash, and
Call—have length digressions of detail on whatever matter is at hand: the
actions and symbolism of a school play, the methods of producing silk, how a
séance is a hoax, where to procure heroin, or the history of Egyptian gods.
It’s not difficult in the mental capacity sense, but it’s surely taxing on
patience. Generally, the plot follows Serge from the advent of wireless
technology (circa 1900) through The Great War in which he flew as an observer
to his post-war trip to Egypt to act as a liaison officer for a communications
department. Sprinkled throughout are some cursory sex scenes, snippets from
poems, and some strange dialogue. The best thing about the book, however:
excellent punctuation—it’s complicated with plenty of comma breaks, em-dashes,
ellipses, colons, and semi-colons… it’s a grammar/punctuation teacher’s fantasy
(though not to Kafka’s extent).
#32: The Steep Approach to Garbadale
(2007) – Iain Banks (3/5)
This is my
twenty-third Banks book. I only have seven left to go: five
books of fiction (including Whit, and Complicity), his
non-fiction title Raw Spirits, and even his posthumous collection Poems.
Of the twenty-three, I enjoyed The Business and Surface Detail
the least—both three stars. Now that I’ve read The Steep Approach, I’d
have to say that this is Banks’ weakest novel. Too many little aspects of the
book feel forced: the cars and speeding, global warming, 9/11 and Bush’s war,
and the place names of the boondocks of Scotland and its accents, to name a
few. Then there are the familiar themes, which is almost word-for-word a
combination of Walking on Glass, The Business and his last novel The
Quarry: board games, a spice in incest, a strong well-spoken character, a
counterculture female, and some bites against capitalism. This is a very safe
and very stereotypical novel for Banks, where he didn’t even remotely try to
break his mold or cast afar for something exotic; granted, it’s good and funny
and heartbreaking and conspiratorial, but it all feels so forced. Really,
there’s nothing new here. If this were your first Banks’ book, it’d be amazing,
but this just feels cookie-cutter (it breaks my heart to say that—RIP Iain).
#33: The Twilight of Briareus (1974)
– Richard Cowper (3/5)
I’ve got some
experience reading Cowper: one trilogy (The White Bird of Kinship, 1975-1982),
one novel (Profundis, 1979), and one collection (Out There Where the
Big Ships Go, 1980). Everything been interesting, but only two novelettes
have wowed me: “The Custodians” (1975) and “The Hertford manuscript” (1976). The
star named Briareus Delta has been witnessed by many to have gone supernova.
Like a few other notable cases throughout history, the star shines brightly for
many days, but what makes this star special is that it’s only 132 light-years
from Earth. The immediate scientific concern is about the waves of radiation
flooding the Earth—a cause for concern about atmospheric and genetic damage.
Soon, a trio of incidences are attributed to the star: the weather takes an
abrupt turn for the worse, a scattered group of people share some sort of
psychic bond, and every human—but not all mammals—are sterile. The world takes
the sterility with aplomb, but many distrust the so-called zeta-mutants. As the
years pass from 1984 through the millennium, the weather only worsens and the
status of the zeta-mutants changes; they share visions of the present and,
uncertainly, of the future. They have theories for it—including an alien
invasion from the exploding star—but none are certain until some of their
shared images begin to manifest. What didn’t manifest, however, was my
interest… supernovae may be interesting, but the effects in this plot don’t
carry it through.
#34: The Best of Margaret St. Clair
(1985) – Margaret St. Clair (3/5)
I first read St.
Clair’s work in Groff Conklin’s most excellent collection Worlds
of When (1962). In the five-story collection, three earned five stars,
one of which was St. Clair’s novelette “Rations of Tantalus” (1954). I was so
wowed after reading it that I immediately read through it once again, thereby
earning a place for itself in my all-time top 10 for short stories. Needless to
say, that one story whet my appetite for the previously unknown author’s work
and where better to read more of it than the author’s own “The Best of Margaret
St. Clair”? The book’s rear-cover blurb states that this collection mainly of
stories that had never been available in book form; therefore, it’s not
comprehensive nor does it actually cover the spectrum of her best work. Only five of the
twenty stories held either great depth, levels of analogy, or parallelisms to
the shared state of what it is to be human. None of the stories reach the
greatness of “Rations of Tantalus”, but two come close: “The Invested Libido”
(1958) and “Wryneck, Draw Me” (1981). Most are whimsical or silly, but a few of
the later ones bring out a similar depth as “Rations of Tantalus”. [full
synopses]
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