Ponderous scenarios and poignant inklings (4/5)
The only other Ballard collection I've been exposed to is Vermilion Sands
(1971), which is a collection of stories taking place in a future Palm
Springs, of sorts. With Ballard's typical luscious prose and
imagination, the stories unravel beautifully with the spiced blend of
art and technology.
It's difficult to compare that collection
with this one. Terminal Beach isn't an all-inclusive collection with an
obvious central theme, but some nuances in each story bring to the
surface a fixation on the metamorphosis between the live organic body
into the realm of the stagnant dead. The two extremes are not the focus
of the collection's subject matter, rather it is the mid-point which is
explored: the actual metamorphosis.
It's just not gorgeous prose
which captivates the reader, nor is it the wondrous science fiction
scaffolding found throughout Terminal Beach, but it's the wow-factor
found in some of the passages which really make you think: "The only
real landscapes are the internal ones, or the external projections of
them." (The Delta at Sunset, 121) and "Each of us is little more than
the meagre residue of the infinite unrealized possibilities of our
lives." (The Terminal Beach, 153). This isn't a collection to rush
through--it's one to slowly absorb, deconstruct, and reflect upon.
------------
A
Question of Re-entry (1963) - 4/5 - An Amazonian tribe harbors a
recluse foreigner, Ryker, who is a contact for a downriver trader,
Pereire. Aboard the trader's vessel is a UN space agency representative
in search of a crashed capsule from five years prior. Ryker has a
fondness for clocks and holds an abusive sway over the idling local
tribe. Admitting no knowledge of the crash, Pereire docks next to the
village so Connolly can reconnoiter about. 32 pages
The Drowned
Giant (1964) - 5/5 - Upon a shore after an evening squall, the body of a
giant is spied in the shallow waters. The word spreads and onlookers
gather to gape and, later, ascend the massive humanoid carcass. Over
time, limbs are amputated, graffiti is inflicted, and the general
corruption of the corpse is reflected in the corrupted morality of the
crowd. The keepsake parts such as bones and phallus are gaudily put on
public and private display as the giant corpse lays sentinel on the
beach. 11 pages
End-Game (1963) - 4/5 - Constantin is pronounced
guilty as a trial he says is flawed. His sentence is death; however, he
will not know the time or method of his death, only the place and the
face of the executioner, Malek. Together in a villa, Malek acts as
Constantin's supervisor during his remote incarceration. As the two play
chess Constantin dissects Malek's psyche and they debate the points of
the trial and the intentions of the Department of Justice, all the while
his execution looms. 23 pages
The Illuminated Man (1964) - 4/5 -
In the Everglades, he city of Maynard has been evacuated and the entire
state of Florida soon follows. What's left behind is an expanding
forest of crystalization, a hotspot for the unnatural conversion of all
things to iridescent crystal form. One man has strayed from his
expedition and finds himself alone under the faceted canopy, where
boats, alligators, and people have all been crystallized. The only
remedy: keep running. 31 pages
The Reptile Enclosure (1963) - 4/5
- A couple gaze at the crowded beach where the sea of flesh and analog
radios underline the spanning ocean and towering sky. Conversing without
aim, the couple bask behind the expanse of sunbathers. The husband eyes
a familiar face among the crowd, someone with curious theories as to
the nature of the recent satellites launches, one of which is occurring
as the mass stands to linger at the shoreline, eying the bland azure
sky. 12 pages
The Delta at Sunset (1964) - 4/5 - At dusk, Gifford
sits in his tent in spectacle of the whithering landscape of snakes
which amass at the same time everyday. An infected foot wound has left
him bed-ridden as his wife and assistant tour the excavation site of an
Indian temple. Without word from the doctor or the scout sent after him,
Gifford experiences the ebb and surge of delirium as he suspects his
wife of adultery in the neighboring tent. 17 pages
The Terminal
Beach (1964) - 3/5 - Deliriously visiting an old nuclear testing island,
a man seeks his wife and son who he lost in an automobile accident.
Haunted by their spectral figures, he traverses the island inspecting
the remains of concrete cuboids, camera towers, and the derelict
airbase. Gathering canned food and mementos of vicarious echoes, the man
is stricken with beri-beri yet is unwilling to accept the aid of
researchers or airmen, finding comfort in his deliriousness. 22 pages
Deep
End (1961) - 4/5 - Earth's oceans have been sapped of its oxygen, an
element essential for terraforming colonized planets. With the earth
nearly depopulated, only the stubborn elders still survive. Yet, the
22-year old Holliday choses to eke out his existence on the old seabed
of the Atlantic Ocean, one of the only inhabitable places left. Nearby
is Lake Atlantic, a sliver of its once great expanse, which contains a
shard of biological history which Holliday invests his motivation into.
13 pages
The Volcano Dances (1964) - 2/5 - Sitting ponderously
upon the slope of a volcanic crater sits a village. The raging molten
earth sends plumes of gas and dust into the air. Further downslope is a
man biding his time, an audience of one for a show yet be started, yet
to be named. He pays the witch doctor one dollar per dance, not knowning
if his gyrations are hindering or helping the angry release of the
historic soup of liquid earth beneath his feet. 6 pages
Billennium
(1961) - 5/5 - The four square meters of alloted living space in the
city seems to suit everyone well. The entire population has amassed in
the cities which flow with endless shoulder-to-shoulder traffic. Ward
and Rossiter decide to rent a double but miraculously discover an empty
fifteen square foot behind one wall. They invite two friends to stay in
this cavernous room, but the openness of it spurs them to invite more
people. Twenty billion people all need somewhere to live. 16 pages
The
Gioconda of the Twilight Moon (1964) - 2/5 - Wrapped in bandages and
swathed in memories, a man revisits his childhood home as he convalesces
from an eye injury. During this time, his wife cares for him but he is
largely left to himself as he discovers his mind's third eye. He
mentally visits the shallows of the shore and the caves of the coast,
all while watched by a green-cloaked observer. His wife's interruptions
cause him distress. 10 pages
The Lost Leonardo (1964) - 5/5 - The
disappearance of Leonardo's Crucifixion from the Louvre has stumped
curators, collectors, and investigators alike. Upon further research,
Georg de Stael has found other stolen yet recovered crucifixion
paintings from the last two hundred years. The area of concern in each
painting is the alteration of the figure of Ahasuerus, the Wandering
Jew. Georg's theory needs to be tested and the auction in Madeleine may
draw the culprit out. 20 pages
No comments:
Post a Comment