Science Fiction Though the Decades

Wednesday, November 30, 2011

1993: The Destiny Makers (Turner, George)

Bleak look at decisions to population: cull or control (5/5)


I was first introduced to George Turner by picking up a nice looking novel in the science fiction section of my local second-hand bookstore. The novel was Down There In Darkness and the cover alone was hypnotizing enough. Once in the meat of the novel, the plot, too, was captivating with its essences of psychology and dystopian post-apocalypse Australia. That same novel also happens to be his last novel. Destiny Makers also has the psychological element but pre-dates the apocalypse, where the Earth is home to 12 billion people. Destiny Makers is about the cusp of cataclysm. (PS: I just realized that the same characters are used in Down There in Darkness. The themes are similar, so the two are actually linked... which teaches me not to space books like this 34 months apart)

The setting of Destiny Makers is one to make you stop and think. There are many passages which describe the bleak future of an over-populated earth and the decisions which must be made in order for earth to survive and humanity to thrive again, once free of the restrain from the shackles of unbidden growth. The two major solutions to population decline are found on page 67; "...how to restrain birthing. Or perhaps, how to expedite dying." With only two solutions, the protagonists must decide... but keep in mind, it is also humanity which must decide the curtailing of population.

"We are sufficiently civilized to know what we should do; our problem is what we are." (Page 250) Harry is a police detective born of lowly Wardie status. His honesty and integrity highlight him for a specific job of guarding a mysterious man in a mysterious hospital. It's known soon enough that the man is the once-senile father of the Premier who has undergone the illegal operation of age-reversal, which has also unclouded his mind. This breach in population law by the Premier himself is large enough for a major issue, so security is tight.

"Humanity is a disease that slaughters everything in its ambit; now it must slaughter its own flesh in order to preserve a viable core." (Page 259) The Premier is clearly disturbed by his inability to make the decision of all decisions. International pressure is on shoulders on the Premier, which is why he brought back his father from the brink of death. However, any counsel sought by the Premier belittles the voice of the majority of Wardies. With a choice needing to be made, will the Premier crack under pressure?

"Who's killing the world? People. Can't stop eating, can't stop f***ing, can't stop living, can't stop anything. Everyone says it's the other man's fault so kill him but leave me alone to do as I like. You got to get people out of the world to let it live." (Page 275) Compound the hi-so Premier's break down in leadership with Harry's lo-so perseverance and the result is a gathering of peripheral characters which stabilize the plot: a psychologist, a trained security man and right-hand of Harry, political opposition, a blackmailing doctor, and the pregnant teenaged daughter of the Premier. It's wide enough cast to allow for all sorts of contingent outcomes and will have you guessing exactly WHAT decision must be made.

"...the race bred like maggots across the carcass of earth." (Page 310) As bleak and pessimistic as it may sound, the realist in me sees The Destiny Makers as a stepping stone in what the real world must eventually do in order to curb its own population. It's sadly inevitable that we can't naturally cull ourselves like rabbits facing starvation... a decision must be made. This is exactly what Georoge Turner puts forth in The Destiny Makers. He may have been aiming for the mind of reader when he penned this novel, but be aware that it'll leave you feeling as if you've been punched in the gut.

1999: Down There in Darkness (Turner, George)


Psychological  and Sociological sci-fi Masterpiece (5/5)  
From January 25, 2009

An amazing mix of sciences of psychology, genetics and sociology is unfolded into the plot, which spans 130 years (2033, 2068 and 2168) and touches the expanse of human consciousness.

During the 2030s, Earth is in an era similar to the Roaring 20s during the 1920s. The economy is growing (as well as the population) while everyone is blissfully ignorant of the imminent ecological collapse around them. At this time, an experiment is conducted to probe question within the mind through sensory deprivation, which ends in one man becoming comatose.

Fast-forward to the 2060s and the world has obviously taken a turn for the worst: global warming, joblessness, crime, paranoia... the works. Turner writes, "It was a time when murder was commonplace; respect for life was not a prime commandment in a world wherein the vast bulk of population had no hope of rising out of Suss poverty and nurtured little morality beyond self-preservation." Main character Harry gets a strange case about an experiment from the 2030s and is asked to probe the repercussion of the comatose man's wakening. It's shrouded in mystery as the man hasn't aged and has been given over to a cult church by his own wife. Harry calls on his friend Gus to assist him in the awakening along with a psychologist and a host of observers.

(I just realized that the same two characters Harry and Gus are in this novel as well as The Destiny Makers. They have the same disposition and jobs. Perhaps it's time for a re-read!)

The plot then links the story to the year 2168, one hundred years later, and we find Harry and Gus confronting a more terrible future. Here, the few people still alive are "products of an inheritance too garbled for resolution by nationality." They must confront a new world order and the unfortunate history which has passed them by.

It's a mind bending read, which isn't based far from the current speculative future we are seeing today

Wednesday, November 23, 2011

1987: In the Bone (Dickson, Gordon R.)

Exploring the Alien Condition and the Human Condition (5/5)

I've known Dickson by reputation alone: well-known for his Dorsai! series and once described as a science fiction romantic. When I first read his work in was, unfortunately, his 1977 revision to his 1965 novel Mission to Universe. Whatever had been revised must have been the downgrade quality compared his short stories in this collection, In the Bone. Mission to Universe was weak is nearly all regards.

In amazing shift of probability, In the Bone is a collection of very thoughtful pieces gently revolving around two similar themes: fathoming the alien condition and alienation from humanity or the human condition. These two themes are something I give some spare thought to from time to time. Such as, if humans were to be contacted by aliens, would communication even be feasible? My thoughts on this are that aliens will be exactly what the world implies in all regards: will be know they even exists, if we do then our modes of communication will be wildly different, and if we can communicate then our worldviews and sensation will not be translatable. This is reflected in Dickson's short stories. In this regard, I've felt a syzygy of thought with Dickson and has led me to really love this collection! In fact, Dickson has about twenty more collection out there! Wow, I'm getting dizzy with near-giddiness.

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Twig (1974) - 4/5 - Twig is a human connected with the planet-spirit, named Grandfather, of Jinson's Planet. Remaining hidden in her nurturing forest, the slash and burn farmers wish to find and kill the Grandfather but her communication with the Earth visitor from Paraplanetary Government may thwart the witch-hunt. 33 pages

God Bless Them (1982) - 5/5 - Merlin snags a chance to train for work in space amidst the failing American economy. His only expense is paying for Californian detective agency to search for his wife and his only annoyance is a tag-along by the name of Church adds to his pressures; but which one will put the nail in his coffin? 25 pages

Hilifter (1963) - 4/5 - Locked from the outside, a hijacker is stuck in his cabin cubicle and must find a way out of the room, through the levels of the spaceship and into the control room to wrestle control from the commander for the good of the colony planets. 19 pages

Brother Charlie (1958) - 4/5 - Human mediator and two individuals of the two terrestrial species of intelligent life on a planet crash in the sea (home of one species), make it to land (home of the other) and head for the human's Base. The human tries to have them understand each other's viewpoints and to just get along. 32 pages

Act of Creation (1957) - 4/5 - Man witnessing the death of the son of the creator of androids in the Dorsai universe pays him a visit and witnesses for himself the humanity of the creator, himself. 11 pages

Idiot Solvent (1961) - 5/5 - Art only sleeps only seven hours per week and is hired for a study in sleep deprivation and intelligence. After ten days of no sleep, being doped with the "monster", and escaping the building, the man babbles incessantly and is eventually brought back and given hypnosis. 18 pages

Call Him Lord (1962) - 5/5 - (1966 Nebula: Best Novelette) Prince and heir-apparent to the galactic throne visits earth to sample what life is like on the backwater planet, original home of humankind. His conceited palatial attitude is accepted by his bucolic bodyguard even when the Prince causes trouble with the villagers. 22 pages

Tiger Green (1965) - 4/5 - Plagued by paralyzing nightmares and suicidal tendencies, Exploration Team 529 is stranded on a planet which is attacking its ship and crew. Four of the seventeen have put off the xeno-possession and attempt contact with the natives, whose circular logic has them very confused. 23 pages

Of the People (1955) - 3/5 - With charm, influence, and inventiveness as his attributes along with the power of ultimate persuasion, Sam leaves New York to seek out a Himalayan yogi in order to transcend. 5 pages

Dolphin's Way (1964) - 5/5 - Dolphin researcher fosters a notion that successfully communicating with the dolphins will open up communication with extra-terrestrials. With research funding on the brink of collapse, the researcher is eager to spill forth his knowledge and ideas to a beautiful visiting reporter. 18 pages

In the Bone (1966) - 5/5 - Man technologically equipped to traverse the stars and explore new worlds finally meets another intelligence, who zaps him from the sky, disables his precious machinery and reverts the modern man back to his primal self to survive in the alien landscape in the shadow of the alien pyramid which struck him down. 22 pages 

1973: The Alien Condition (Goldin, Stephen [editor])

How aliens may live, work, die, breed, etc. (4/5)
From July 19, 2011


A collection of one dozen science fiction stories which attempts to "examine the Human Condition - by examining the much larger and more general problem of the Alien Condition." The collection has a fantastic start with back-to-back stories which are unique and inviting. It was surely headed for a perfect 5-of-5-stars rating for the collection until the last three stories (about 40% of the volume) make a terrible ending. You might as well just SKIP the last three stories altogether.

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Kathleen Sky: Lament of the Keeku Bird - 4/5 - Female carnivore must cross the desert on her belly to Long Rock so that she will transform into an Old On. With pieces of her flesh and matted hide behind her, a vulture-like Keeku trails. 18 pages

Vonda N. McIntyre: Wings - 4/5 - Crippled hermetic winged alien accepts the unexpected visit of a crippled youth. Combating loneliness, habit and his religious vows, the old man nurses the youth back to health even though his departure is likely. 17 pages

Alan Dean Foster: The Empire of T'ang Lang - 5/5 - The alien named T'ang Lang is the master of his environment. He taunts mountains, sharpens his knives and lives in solitude to wait for his next kill. 9 pages

Mirian Allen deFord: A Way Out - 4/5 - Scaled alien ambassador to earth is disgusted by all things human and misses all things of his homeland. With very different laws between the two planets, an escape by a felonious act is his only solution. 12 pages

Arthur Byron Cover: Gee, Isn't He the Cutest Little Thing - 4/5 - A rather cynical little alien is stranded on earth, kept as a pet. He vents his cultural and sexual frustrations by lambasting all earthly things including cats, pigs and talk shows. 7 pages

Rachel Cosgrove Payes: Dead Listener - 4/5 - Survey ship finds no intelligent life on a gaseous, barren planet but when scooping and compressing the gases, the hull starts to dissolve wherever they go. 8 pages

C.F. Hensel & Stephen Goldin: Nor Iron Bars a Cage - 3/5 - Fifteen-minded alien senses, hears, then views a tall metallic object surrounded by a gas-created char. The minds debate on the source and move to investigate. 11 pages

Thomas Pickens: Routine Patrol Activity - 4/5 - Playful security duo sing-song their way through their patrol. When confronted by an unidentified object, the two attempt to establish contact the only way they know how. 11 pages

William Carlson & Alice Laurance: Call from Kerlyana - 4/5 - An avian intelligence and a potty-mouthed reptilian intelligence are at limited war on the continent they share. One of each of them is chosen as an envoy by an alien third party to establish a peace agreement. 15 pages

S. Kye Boult: The Safety Engineer - 1/5 - Subterranean safety inspector of a delicately balanced ecosystem relying on cooperation, dadada - it's unbearable to read and stopped after only fifteen page. No wonder it was only published once. 61 pages

James Tiptree, Jr.: Love is the Plan the Plan is Death - 2/5 - Some sort of giant dinosaur/spider hibernates after a long winter to fall in love with a tiny pink being, who he binds in woven silk as she grows to maturity through the warm summer months. 19 pages

Edward Wellen: The Latest from Sigma Corvi - 3/5 - Radio DJ reads the 6:25 news summary but fails to understand the gibberish pronouns and links the occurrence to an astronomical anomaly. 4 pages

Saturday, November 19, 2011

1982: The Eye of the Queen (Mann, Phillip)

Humanistic SF with journal plot device (5/5)
From October 20, 2011


I had never heard of Phillip Man before reading Wulfsyarn but while reading it I was unexpectedly impressed with the level of humanistic writing Mann was capable of. His usage of the journal-like device was fascinating and I searched for his most acclaimed novel Eye of the Queen soon after.

Using a more pronounced device of the journal-like narrative, the style is captivating in its detail and chronological unfolding. The journal of Thorndyke chronicles his contact from beginning to end with the alien species Pe-Ellia, through the initial contact, the first awkward days on the new planet and the dismissal of his subordinate Tomas. The thirty-eight journal entries are often accompanied by Tomas's commentary on the specifics of each matter or historical background. This duo-layered journal device imbues the novel with rich detail spread out for the reader to mull over and consume.

The Pe-Ellia species are difficult to wrap your head around, seeming to be as alien as the title implies. Yet their commonality in their spiritual devotion and altruistic aura unveils a human-like base to touch. The Contact Linguists they both are, the road to understanding their alien counterparts must be lightly tread for risk of giving offense. The penultimate guide for this contact was established by Thorndyke but we witness him withdrawing from the very procedures he established. This alarms Tomas but, being the subordinate, he continues to chronicle the visit.

Mann seems to be able to create a humanistic character (like Wilberfoss in Wulfsyarn and here with Thorndyke) and allow the reader to sympathize with the self-styled human he has created in the pages. Certainly, these two characters are well developed but then they become a sort of empty husk, unsubstantiated by personal and external conflicts- the level of sympathy is always on the rise.

For fantastic insight and intimate detail, I can hardly look at any other author with the same passion Mann exudes in both Wulfsyard and Eye of the Queen. This is the pinnacle of humanistic science fiction along with Eric Brown's The Fall of Tartarus and J.G. Ballard's Vermilion Sands.

1977: The Last Transaction (Malzberg, Barry N.)

Peek into a President's Public/Private Life (4/5)
 

Rear cover synopsis:
“…The Last Transaction is a deep and fascinating glimpse into the memories, inner compulsions, torments, triumphs, and events in the life of a President of the United States in a world gone mad, from 1980 to 1984. Even more, it is perceptive vision of the major issues our society will face tomorrow. Sure to be controversial, possibly prophetic, like anything Barry Malzberg writes, this novel is an experience you will not forget.”

This is my first Malzberg novel but it happens to be one of his later novels (1977). Unfortunately, I had to start somewhere and this novel struck my interest. It’s not so much science fiction as it is a twisted look into one man’s mind in the years 1980-1990, so it’s more of a weird fiction novel set in the future than a science fiction novel.

Malzberg writes a novel portraying, much as the synopsis says, the internal logic of one man. These thoughts and memories spill forth from a man slowly sinking into dementia. Now a very frail 80 years old in the year 1990, the 1980-1984 ex-president of the United States is housebound and attempting to complete the memoirs of his life. However, his failing physical health and diminishing grip on reality affects his ability to think clearly and act rationally.

ENTER William Eric Springer
The marriage with his first wife ended on a sour note as she grew continually more haggard and their love life tapering off into negligence. Even the offspring, born out of casualness rather than love, cannot keep them together. With the divorce finalized, William seeks out more steady liaisons with a woman twenty years his junior. They both attend his ex-wife’s funeral and continue with life with the fateful direction of sitting in the presidency. While acting as president, a terrorist group blows up two nuclear plants and threatens to hijack more. With the same casualness of producing a son, the President lightly assesses the situation, which paints him as the man he truly is.

He’s a stubborn man is his later years. He was once mildly uxorious but transmogrified into something blunter, more forward. As an example to his stubbornness during his convalescence, he says, “I am entitled to the integrity of my prophylaxis.” (pg115)

William’s attitude towards tackling major issues is relative to his attitude towards his sex life, which Malzberg isn’t timid writing about in detail (sometimes too graphically, too detailed, too unnecessary). The serious issues, like the intimacy experienced with a wife, are taken vulgarly and off-hand. Oppositely, the lighter issues, such as detailing his memoirs, are taken with single-minded ferociousness.
EXIT William Eric Springer

William’s sexuality characterizes him to a great degree so the sex scenes are validated, but the carnality of some of the scenes is a bit much. The Last Transaction is a 163-page characterization of a growingly blunt man, sinking into senility, resistive of advice, and indolent with sexual reminiscing.

More Malzberg novels is a must for me if his knack for characterization is prevalent in his other works but, hopefully, will lessen the sexuality to a more acute degree.

Friday, November 11, 2011

2010: Hull Zero Three (Bear, Greg)

Internalizing the essence of exploration and fear (5/5)
From July 21, 2011


It appears that Hull Zero Three hasn't been very well received on Amazon and that's pretty sad. I greatly anticipated its release and was mystified by the Vine program's negative feedback. To truly appreciate Hull Zero Three, I think the reader needs to meet two criteria, like myself:
1) The reader needs to understand most of Greg Bear's work, including his 1980s and 1990s grand space spectacles of The Way series and Forge of God series). Also, the reader must feel distanced by Bear's work since the millennium (Quantico, Vitals and especially City at the End of Time). This will give you a proper lead-up to what Bear has accomplished and why Hull Zero Three is a return to his grand tradition of space spectacles.

2) The reader must be disappointed in the state of the art of American science fiction. I don't read any of the stuff since the millennium as there's been a preferred chasm of difference with British SF. US SF tends to have very short paragraphs with lots of dialogue and it nearly always reads like a Hollywood scrip for people with short attention spans.

NOW, open up the deliciously ambiguous book entitled Hull Zero Three. Granted, from the onset, the initial "man wakes up on ship with amnesia" isn't exactly unique but banish that from your feeble mind as the subject is at the masterful (er, with the exception of End of Time) hands of Greg Bear. Like the main character, Teacher, we, too are borne unto this novel with little knowledge of what is happening but we grow to understand the environment, the dangers, the expectations and direction: where the Teacher learns so the reader, where the Teacher panics so the reader panics. Identify with this: "I'm just a pair of eyes on the end of a stalk of neck with a brain and some hands and legs attached."

I won't to expose too much detail about the greater scene of the book because it's important that the reader, like to protagonist, learns as he/she goes. So, to just glance over the plot, here it is: Three separate hulls are on a 500-hundred-year journey to inhabit the stars. Something has gone wrong, albeit a malicious deviation of course or a natural phenomenon. People are being awoken, these people are being killed by the Ships machines. On board is the entire Gene Pool of earth and the landing crew will make use of this gene pool to adapt to the environment of the one planet they will fall upon. They have only the one shot to establish their civilization.

I must mention the Gene Pool part of the plot because it's by far the most titillating potential in the entire book. Stop and think about the variation of life on earth and how, in the future, it may be possible to alter man in any way, always abiding by the gene pool, to suit Man for life on other planets. Hull Zero Three visits some minor shifts in the human DNA but always tiptoes around some of the more exotic spectrum of what humans could become. The details revolving around this 500-year trip and the gene pool are hugely enticing and very rewarding.

Like mentioned in criterion #2, Hull Zero Three is unlike anything the US SF has recently produced (this includes Vinge and the peripheral Star Wars, Star Trek and Halo series). No author has gotten it right except for our friends across the pond, many of whom I'm a great fan of: Banks, Hamilton, Reynolds, Stross. Greg Bear writes in a style similar to the British friends, where there is more of a focus on describing environment, emotion, experience and detail with longer paragraphs, more internal monologue and less frivolous chit-chat.

"Exploring," in his purest essence, isn't about banally chatting about what you're seeing... it's about internalizing the experience and relating yourself to your surroundings. Much like Hull Zero Three - you'll explore the Ship (Hulls One AND Three!) through the internalized experience of Teacher. However, you'll also be grappling with the fear of death, dismemberment, starvation and suffocation. Great contrast.